Internasjonale nyheter

Hewlett Foundation extends CC BY policy to all grantees

Creativecommons.org -

Last week the William and Flora Hewlett Foundation announced that it is extending its open licensing policy to require that all content (such as reports, videos, white papers) resulting from project grant funds be licensed under the most recent Creative Commons Attribution (CC BY) license. From the Foundation’s blog post: “We’re making this change because we believe that this kind of broad, open, and free sharing of ideas benefits not just the Hewlett Foundation, but also our grantees, and most important, the people their work is intended to help.” The change is explained in more detail on the foundation’s website.

The foundation had a long-standing policy requiring that recipients of its Open Educational Resources grants license the outputs of those grants; this was instrumental in the creation and growth of the OER field, which continues to flourish and spread. Earlier this year, the license requirement was extended to all Education Program grants, and as restated, the policy will now be rolled out to all project-based grants under any foundation program. The policy is straightforward: it requires that content produced pursuant to a grant be made easily available to the public, on the grantee’s website or otherwise, under the CC BY 4.0 license — unless there is some good reason to use a different license.

“When we began thinking about extending the policy from OER grants to the foundation as a whole, we wanted to be sure we would not be creating unforeseen problems,” said Elizabeth Peters, the general counsel of the Hewlett Foundation. “So we first broadened it to cover education grants that were not for OER — and have been pleased to find that there were very few issues, and those few easily resolved. CC BY for all grant-funded works will now be the default, but we are willing to accommodate grantees who have a persuasive reason to take a different path. The ultimate goal of this policy is to make the content we fund more openly available to everyone. We’re only just beginning to implement this change, and will continue to monitor how it’s working, but so far we have found most grantees are ready and willing to apply the license that makes their works fully open for re-use of all kinds.”

In practice, the new policy means that nearly all of the extensive content produced with Hewlett project-based grant funds–not only works specifically commissioned as Open Educational Resources, but scholarly research, multimedia materials, videos, white papers, and more, created by grantees on subjects of critical importance–will be widely available for downstream re-use with only the condition that the creator is attributed. Text will be openly available for translation into foreign languages, and high-quality photographs and videos will be able to be re-used on platforms such as Wikipedia. Releasing grant funded content under permissive open licenses like CC BY means that these materials can be more easily shared and re-used by the public. And they can be combined with other resources that are also published under an open license: this collection grows larger every day as governments and other publicly-facing institutions adopt open policies. Promoting this type of sharing can benefit both the original creator and the foundation, as it enables novel uses in situations not intended by the original grant funding.

For a long time Creative Commons has been interested in promoting open licensing policies within philanthropic grantmaking. We received a grant from the Hewlett Foundation to survey the licensing policies of private foundations, and to work toward increasing the free availability of foundation-supported works. We wrote about the progress of the project in March, and we’ve been maintaining a spreadsheet of foundation IP policies, and a model IP policy.

We urge other foundations and funding bodies to emulate the outstanding leadership demonstrated by the William and Flora Hewlett Foundation and commit to making open licensing an essential component of their grantmaking strategy.

School of Open Africa launch event in Kenya tomorrow!

Creativecommons.org -

Following on the heels of School of Open Africa launch events in Tanzania and Nigeria last weekend, School of Open Kenya is hosting its own tomorrow to kick off training for four high schools in Nairobi.


(SOO logo here. Earth icon licensed CC BY by Erin Standley from the Noun Project.)

Called Popjam, this SOO launch event + Mozilla Maker Party will be a day-long workshop introducing high school students to open educational resources (OER). Students will learn how to use OER and the open web to complement their academic studies. Students from four high schools will participate: Precious Blood Secondary School, Nairobi School, Sunshine Secondary School, and State House Girls Secondary School. SOO Kenya is hosted by Jamlab, a co-creation community based in Nairobi for high school students and graduates in Africa.

For more information about the event, and to RSVP if you’re in Nairobi, visit the event page.

About Maker Party

School of Open and Creative Commons is excited to be partnering with Mozilla to celebrate teaching and learning the web with Maker Party. Through thousands of community-run events around the world, Maker Party unites educators, organizations and enthusiastic Internet users of all ages and skill levels.

We share Mozilla’s belief that the web is a global public resource that’s integral to modern life: it shapes how we learn, how we connect and how we communicate. But many of us don’t understand its basic mechanics or what it means to be a citizen of the web. That’s why we’re supporting this global effort to teach web literacy through hands-on learning and making with Maker Party.

About the School of Open

The School of Open is a global community of volunteers focused on providing free education opportunities on the meaning, application, and impact of “openness” in the digital age and its benefit to creative endeavors, education, and research. Volunteers develop and run courses, workshops, and real world training programs on topics such as Creative Commons licenses, open educational resources, and sharing creative works. The School of Open is coordinated by Creative Commons and P2PU.

Why are we prosecuting students for sharing knowledge?

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In July the Electronic Frontier Foundation wrote about the predicament that Colombian student Diego Gomez found himself in after he shared a research article online. Gomez is a graduate student in conservation and wildlife management at a small university. He has generally poor access to many of the resources and databases that would help him conduct his research. Paltry access to useful materials combined with a natural culture of sharing amongst researchers prompted Gomez shared a paper on Scribd so that he and others could access it for their work. The practice of learning and sharing under less-than-ideal circumstances could land Diego in prison.

The EFF reports that upon learning of this unauthorized sharing, the author of the research article filed criminal complaint against Gomez. The charges lodged against Diego could put him in prison for 4-8 years. The trial has started, and the court will need to take into account several factors: including whether there was any malicious intent to the action, and whether there was any actual harm against the economic rights of the author.

Today EFF, Creative Commons, Right to Research Coalition, and Open Access Button are launching a campaign to help raise awareness about Diego’s situation, to promote a reasonable handling of his and similar cases, and to support open access policies and practices. We hope you’ll sign on.

Let’s stand together to promote Open Access worldwide.

Help Diego Gomez and join academics and users in fighting outdated laws and practices that keep valuable research locked up for no good reason.

Diego Gomez, a Colombian graduate student, currently faces up to eight years in prison for doing something thousands of researchers do every day: posting research results online for those who would not otherwise have a way to access them.

If open access were the default for scholarly communication, cases like Diego’s would become obsolete.

Academic research would be free to access and available under an open license that would legally enable the kind of sharing that is so crucial for enabling scientific progress.

When research is shared freely and openly, we all benefit. Sign the petition to express your support for Open Access as the default for scientific and scholarly publishing, so researchers like Diego don’t risk severe penalties for helping colleagues access the research they need.

Sign-on statement:
Scientific and scholarly progress relies upon the exchange of ideas and research. We all benefit when research is shared widely, freely, and openly. I support an Open Access system for academic publishing that makes research free for anyone to read and re-use; one that is inclusive of all and doesn’t force researchers like Diego Gomez to risk severe penalties for helping colleagues access the research they need.

Kan CC-licens hjælpe med at opfylde Nationalmuseets mission?

CC Danmark -

Dette er en gæsteblogpost skrevet af Nationalmuseets Jacob Riddersholm Wang, digitaliseringsansvarlig, og Charlotte S. H. Jensen, udviklingskonsulent.

Igennem snart 3 år har Nationalmuseet arbejdet på at tilgængeliggøre en del af sin fotosamling. CC-licensering er ét af de væsentlige og strategiske elementer i bestræbelserne på at gøre kulturarven tilgængelig – og brugbar. Opgaven er ikke helt så enkel som den lyder.

Nationalmuseet har i virkeligheden flere forskellige fotoarkiver, med udspring i de forskellige samlinger, fx ”Oldtid”, ”Nyere Tid”, Etnografisk Samling” og så videre. I alt 9 forskellige samlinger rummer pt. ca. 700.000 billeder i museets fotoregistreringsdatabase, og hertil kommer samlingerne i de museer, som først for nyligt er blevet en del af Nationalmuseets organisation, samt billeder der endnu ikke er scannede.

700.000 billeder lyder måske ikke af så meget, men der er tale om enkelte objekter, der skal ”håndteres” individuelt, og som hver især har sit eget, unikke sæt af metadata. Desuden er de enkelte billeders ophav og indhold voldsomt forskellige: Nogle er taget af museets egne fotografer og forestiller museets egne genstande, andre er taget af ukendte fotografer og overdraget af fx arvinger eller ”findere”, nogle er taget af professionelle fotografer – andre er tværtimod tydeligt ældre amatørfotografier…. og så videre. En yderligere udfordring er, at nogle fotografier kan være forsynet med særlige klausuler. Fx at billederne ikke må bruges uden giverens tilladelse el.lign.

Én af de store opgaver i Nationalmuseets tilgængeliggørelsesprojekt er derfor arbejdet med at finde frem til, hvilke licenser, de enkelte billeder kan forsynes med. En del er ”All Rights reserved” – det kan fx være fotos, som er købt af eksterne fotografer. Det andet yderpunkt er fotografier, der så gamle, at de for længst er i Public Domain. For de billeder, som Nationalmuseet selv har rettighederne til, er licensen BY-SA. Billederne skal kunne anvendes til alle formål, også kommercielle, og vi har selvfølgelig skelet til, at BY-SA licensen muliggør brug på fx Wikipedia. I skrivende stund er der tilgængeliggjort 46.000 fotos, og heraf er ca. 36.000 licenseret med BY-SA.

Men for at kunne bruge fotoarkivernes indhold er det ikke nok, at licenserne tillader videreudnyttelse. Det skal også være enkelt at finde frem til netop de billeder, som man søger. Derfor forestiller vi os ikke, at det er Nationalmuseets egen website, som skal udgøre den primære indgang. Tværtimod opfatter vi Googles billedsøgning og andre lignende tjenester som den primære grænseflade for brugere, som søger…. og forhåbentlig finder.

Der er flere forskellige ideer og udviklingsplaner på bedding. Fælles for dem er, at de udspringer af en grundlæggende idé om, at det skal være nemt at finde og bruge – men også med tiden: at bidrage med den viden, man måtte have om enkelte billeder og deres motiver. Derfor er bl.a. mulighed for geotagging og kommentar blandt de features, som er i støbeskeen. Men vi starter småt – allerførst gælder det om at få indholdet i luften, så vi gennem brug og brugerønsker kan komme tættere på, hvordan tjenesten skal udvikles.

Nationalmuseets overordnede mission er, at Nationalmuseet rummer og udvikler forudsætningerne for, at alle kan få indsigt i kulturhistorien”. At ”alle” skal kunne få indsigt i kulturhistorien er et temmeligt ambitiøst projekt, og en opgave, som ingen institution – end ikke Nationalmuseet – kan løse alene. Hvis ”alle” derimod har en mulighed for både at finde frem til og at bruge kulturhistoriske fotos til egne formål, bliver opgaven en smule mere overkommelig.

Samlinger.natmus.dk er online, men sitens åbning markeres officielt 8. oktober, hvor vi regner med at have passeret et rundt tal og have over 50.000 fotos online.

The post Kan CC-licens hjælpe med at opfylde Nationalmuseets mission? appeared first on Creative Commons Danmark.

Daily awesome from the internet: CC presents the Thing of the Day

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When you go searching for Creative Commons–licensed content, you never know what you’ll find. Sometimes you’ll find the exact photo or piece of sound you were looking for, and sometimes you’ll find something you never could have imagined.

We’ve created a new Tumblr blog to celebrate those unusual, beautiful, and quirky CC finds from around the web. It’s the Creative Commons Thing of the Day!

Sign up to get the Thing of the Day delivered to your inbox every morning.

Here’s the last week and a half in Thing of the Day.

Italic Shelf / Ronen Kadushin / CC BY-NC-SA 3.0

Ronen Kadushin designs unusual pieces of furniture like this unorthodox bookcase. He shares the designs under Creative Commons licenses and invites people to experiment with them, adapt them, and share their modified versions. Kadushin writes, “An open design value is increased with wider modification possibilities and transformation potentials into other products. Designs that typically live only a few years in the marketplace can live on and develop into new shapes and uses.”

Buy My Bed in Brooklyn / Jonathan Mann / CC BY 3.0

Jonathan Mann writes a song every day. Many of them tackle complex emotions and ideas. But inevitably, a lot of them are just silly, like “Buy My Bed in Brooklyn.” In songs like “Buy My Bed,” we see a songwriter whose talent lies in his childlike approach to day-to-day life.

On why he licenses all his music under CC, Jonathan told us, “It’s kind of a no-brainer… I don’t even really understand why anyone would do anything different. It makes such simple sense.”

Coming Out Simulator / Nicky Case / CC0

Nicky Case creates videogames that deal with issues many videogame designers wouldn’t touch. Nicky’s Nothing to Hide is a frank look at government and corporate surveillance, and an addictive puzzle game to boot.

Coming Out Simulator is a semiautobiographical game about Nicky coming out of the closet to their parents. The player is given choices of what to say, but the heartwrenching ending is inevitable.

Andrew Archer / CC BY-NC 3.0

Illustrator Andrew Archer drew these terrifying images of a post-apocalyptic California for a feature in California Magazine.

Found in Translation / Anjaya Iyer / CC BY-NC-ND 3.0

These gorgeous prints feature words that capture ideas and feelings we’ve all experienced, but that don’t translate well into English. By introducing such perfect words to English speakers, they serve as a testament to the way that languages constantly grow, adapt, and borrow words from each other.

Copyright / XKCD / CC BY-NC 2.5

It even happens to us some days.

프라하 까를교 악사 / Miyoung Yi / CC BY 2.0

Miyoung Yi’s gorgeous drawings capture everyday moments, both in her home country of South Korea and around the world. As a Creative Commons activist, she encourages other Koreans to consider sharing their work under open licenses.

Steven Lewis / CC0

Here at CC, we’re huge fans of the photography blog Unsplash. The blog presents a single photo every day – the Unsplash curators have a great eye for delightful slices of life. The best part is that all of the photos are available under the CC0 Public Domain Dedication, meaning that anyone can use them for any purpose, commercial or noncommercial, with or without attribution.

Silhouettes / The OO-Ray / CC BY-NC-SA 3.0

Illustration: Broken window / CC BY-NC-ND 2.0

The OO-Ray’s Silhouettes is a great example of how Creative Commons–licensed work can take on a life of its own. The OO-Ray (né Ted Laderas) composed and recorded the piece in 2011. Since then, it’s appeared in dozens of videos thanks to its CC license. As Laderas told SoundCloud, “It’s incredibly energizing to see that people like your music so much to include it in their video.”

Hey, CC musicians! Enter the Free! Music! Contest!

Creativecommons.org -

Every year, our friends at Musikpiraten e.V. host the Free! Music! Contest to find the best Creative Commons–licensed music of the year. CC is proud to serve as a partner in this awesome tradition.

This year, anyone who preorders the album of winning selections earns the right to vote for their favorite entries. From the announcement:

“With the public voting we want to achieve two things,” explains Christian Hufgard, chairman of the Musikpiraten. “On the one hand, the selection of songs on the CDs are placed on a broader footing. And the obvious choice is to give a voice to those who will hear the CDs afterwards? But we also hope that the participating bands indicate their fans even before publication of the sampler the competition and we still get the more attention.”

Additionally, German gothic rock band Aeon Sable is offering a special prize for remixing its song “Visions,” which the band has shared a multitrack version of under CC BY-NC.

Submissions are due September 30. Check it out!

Creative Commons launches School of Open events in Tanzania and Nigeria

Creativecommons.org -

Today and tomorrow the School of Open launches in Tanzania and Nigeria in conjunction with Mozilla Maker Party!


(SOO logo here. Earth icon licensed CC BY by Erin Standley from the Noun Project.)

In Tanzania, CC Tanzania is hosting a creative event for kids at the Open University of Tanzania, the first university in the region to offer open and distant learning programs. Kids will use the Internet and open educational resources to create animations. This event occurs today: see the Maker Party page for details. It marks the launch of three training programs around ICT empowerment training for unemployed youth, teaching persons with disabilities how to use computers, and training educators on using ICT to improve how they teach their students.

In Nigeria, CC Nigeria is hosting a web building skills event for the public at the Nigerian Institute for Advanced Legal Studies at the University of Lagos. Anyone may join to learn how to build the web and share creative works through Mozilla and CC tools. The opening ceremony and maker party are tomorrow, see the Maker Party page for details. The event also marks the launch of a five-week training program around Nigerian copyright and Linux Operating System. During the opening ceremony, SOO Nigeria’s facilitators, partners and supporters will meet and set expectations for program participants. See the School of Open Nigeria page for more details. You can follow SOO Nigeria on Facebook and Twitter, using the hashtags #SOOAfrica and #MakerParty.

School of Open launch events are also set to occur in Kenya and South Africa — stay tuned! (Read more about their plans here.)

About Maker Party

School of Open and Creative Commons is excited to be partnering with Mozilla to celebrate teaching and learning the web with Maker Party. Through thousands of community-run events around the world, Maker Party unites educators, organizations and enthusiastic Internet users of all ages and skill levels.

We share Mozilla’s belief that the web is a global public resource that’s integral to modern life: it shapes how we learn, how we connect and how we communicate. But many of us don’t understand its basic mechanics or what it means to be a citizen of the web. That’s why we’re supporting this global effort to teach web literacy through hands-on learning and making with Maker Party.

About the School of Open

The School of Open is a global community of volunteers focused on providing free education opportunities on the meaning, application, and impact of “openness” in the digital age and its benefit to creative endeavors, education, and research. Volunteers develop and run courses, workshops, and real world training programs on topics such as Creative Commons licenses, open educational resources, and sharing creative works. The School of Open is coordinated by Creative Commons and P2PU.

Time is running out: We all need to support a fair and neutral Internet

Creativecommons.org -

Today a large group of companies and organizations are raising awareness about the importance of net neutrality by joining the Internet Slowdown campaign. The action asks what would happen if large internet service providers (ISPs) and cable companies get their way and are able to squash net neutrality. Net neutrality is the concept that ISPs should treat all data that travels over their networks equally. In the United States, the Federal Communications Commission (FCC) has proposed a framework for “Protecting and Promoting the Open Internet.” But to many companies and users the guidelines are inadequate for truly supporting an open internet. Instead, some think that the FCC proposal props the door open for ISPs to offer internet “fast lanes” to customers who can pay more–thus breaking the principle of network neutrality.

Creative Commons licenses and public domain tools support access and reuse of hundreds of millions of pieces of creative work by allowing creators to attach rights information about how they wish to share their creativity. And of course, open licensing is just one part of the ecosystem of sharing. CC helps break down copyright barriers to online sharing, but without net neutrality, the sharing of all works (both CC licensed and not) will be restricted from the users who cannot cough up the money to jump into the fast lane. Creators should be able to share content on equal footing. And users should be able to access and reuse that shared content via a fair and open internet.

The FCC has been soliciting feedback from the public. You can support the campaign for net neutrality at Battle for the Net and sign the letter which will be sent to your members of Congress, the FCC, and the White House. And you can still have your voice heard by sending your comments to the FCC. The public comment period ends on 15 September.

MapWorks Learning combines OER and open data to protect threatened biodiversity

Creativecommons.org -

Mangrove forests have been described by the World Wildlife Fund as one of the world’s most threatened tropical ecosystems. In an effort to protect and raise awareness around this problem, MapWorks Learning launched the first of what they plan to make an annual Mapathon for ecological preservation and learning. The inaugural event engaged schools, universities, and environmental groups around the world to document the health and well being of mangrove populations using the Mapping the Mangroves tool.

The Mapping the Mangroves (MTM) toolkit is a project originally funded by Qatar Foundation International, and is now a keystone project of MapWorks Learning. MTM uses a mapping application built on the open source Ushahidi software platform, relying on crowdsourcing to collect geographic and descriptive data about mangrove forests. The project’s reporting system allows anyone to submit a report about mangrove forests, describing the area’s biodiversity and pairing it with geographic coordinates and other sensor data. The data are then displayed on an interactive map on the project’s homepage, with all reports searchable and explorable by geographic region and other habitat or report traits. The data are freely available for download and licensed under a CC0 Public Domain Dedication, too.

The MTM project is supporting the development of OER curriculum introducing learners to mangrove forest ecosystems, basic species identification, and explaining how they can take part in the monitoring and protection of forests around the world. The toolkit’s learning material is available under a CC BY-NC-ND license on OER Commons.

To find out more about MapWorks Learning and their upcoming Mapathons see mapworkslearning.org, visit them on Facebook, or follow them on Twitter.

The 2nd OER Summer Camp on Luxi Island of CC China Mainland

Creativecommons.org -

The following is a guest post by LIUPing, members of the CC China Mainland Affiliate team and the School of Open community. Below is a description of the 2nd CC China Mainland open educational resources (OER) summer camp (30th June to 8th July 2014) for the children of Luxi Island, a remote island off the coast of China.

Why did we have the 2nd OER Summer Camp?

The summer of 2013 was special for the CC China Mainland team, Wenzhou Medical University and Guokr.com. These three parties co-hosted OER summer camp which was successfully initiated on Luxi Island. For Wenzhou Medical University, the summer camp has already been a part of its routine volunteering activities for five consecutive years. But it’s the first time for them to connect such a camp with the CC China Mainland Project. The latter, to their surprise, brought something fresh this time; a real world OER activity in rural China took shape.

The first OER summer camp received great feedback, not only from volunteers of Wenzhou Medical University that participated, but from the officials of Luxi Island, and more importantly, from the students of Luxi Public School.

Can we create some OER courses?

The first successful but not flawless camp greatly encouraged us to hold the second one. We thought there was a lot of room for improvement, especially that more CC-licensed OER should be included. In addition to OER available online, we wondered if we could make some interesting online courses ourselves for the kids within our reach. And based on feedback, “How to make herbarium” was regarded as the most interesting course during the first camp.

“We hope to make a difference,” said volunteers from Wenzhou Medical University. “why not make some courses based on our knowledge as medical students? We believe that would be more interesting and flexible.”

What courses did we create?

All preparations went smoothly by volunteers, days before the launch of the camp. Wenzhou Medical University’s student center, which provides opportunities for students to start small businesses within the campus, happened to have a photography studio. Undoubtedly, it was chosen to be our “OER course studio” for making videos of the courses. About 12 volunteers participated and 16 different courses were recorded, of which 14 were used, including:

1. The introduction of traffic signs (video)

2. Comprehensive water treatment, namely sewage treatment, flood prevention, drainage, water supply and water saving. The course was concentrated on how to identify water quality (video)


ZHU Renkai / CC BY

3. Interesting Japanese language (video)


WANG Hongying / CC BY

4. Traditional Chinese handwork: stamp, tri-colored glazed pottery of the Tang Dynasty and blue and white porcelain. The courses teach students aged from 11-13, on how to create this handwork.


WAN Yu / CC BY

5. Interesting Traditional Chinese Medicine: introduce some basic knowledge about TCM, which is relevant to students daily lives. (video)


WANG Hongying / CC BY

6. Interesting history: the introduction of some historical events which had significant impact on China. (video)


ZHU Renkai / CC BY

7. Presentation skills: How to give a presentation or host an event. How to present yourself in front of people with confidence. (video)

8. Course for senior citizens on the island: including some basic knowledge of labor contract if any of their family members are immigrant workers in other provinces; living knowledge such as why some vegetables can’t be cooked together, etc. (video)


WANG Hongying / CC BY

9. Pink ribbon: the course was designed for females on the island by Wenzhou Medical University volunteers. The presenter is a Clinical Medicine Science major student; she introduces relevant knowledge of breast cancer, including how to prevent it from happening. (video)


YANG Jiayi / CC BY

10. Muscle-bone strengthening exercise: Through proper adjustment in human body and correct method for breath (muscle, bone etc.), the exercise can help to improve blood circulation and the functions of internal organs of the body (heart, spleen, liver, lungs and kidneys). (video)

11. Interesting Oral English: Mr. Percy provides kids with some simple and easy oral English. (video)

12. MOOC from Guokr: How to select good quality fruit. A specially designed course for kids (link)

Feedback from Participants of the 2nd Luxi Summer Camp

Students’ comments on the OER summer camp:

CHEN Xinhao, Grade One:

We had many different courses, and learnt a lot from our teachers. Besides, discipline plays a big role in our classes. I learnt how to be strong, even if being injured, I didn’t cry. Teachers cared us a lot and we can feel the love from their hearts. Maybe next time, we can have more classified courses based on our exiting knowledge. I sincerely hope that they can come again; we really like all these teachers.

CHEN Yanjie, Grade Four:

I enjoyed my stay with teachers, from their daily lives, I learnt how to be strong, independent and insistent on my dreams. Teachers gave us so many supports and encouragement. Same time, I got to know my weak points and believe that I can always do better. I really hope they can come and visit us next summer, by binging knowledge and happiness. I like my teachers.

MIAO Xiaoting, Grade Four:

Though I can’t fully understand the class, I think all classes are great and interesting. Teachers really tried hard to explain us. I like this kind of teaching and will try my best to learn in future. I enjoyed the play time with teachers after class. It’s funny to play games and take photos together. So many unforgettable moments. I hope all of them can come back next summer. I love them! In order to provide us good classed, teachers’ preparation task lasted late at night and got up early in the morning. I hope they can have good rest after back home.

ZHENG Ruize, Grade Six:

One of the important things I learnt from these teachers is always be diligent, humble and hard work. I believe that I can walk out of this island and get to know the world outside. Now I’m on Grade Six, and will be in mid school soon. I think I will work harder in future and let myself become an excellent student with the days to come. I really hope after grow-up, I can back to the island with teacher, to support more kids in this island. I hope all teachers would take good care of themselves. I like them all and look forward to seeing them again with diversified courses.

Volunteers’ comments on OER summer camp:

QIN Xu, age 19, major in Law:

The most impressive thing happened in summer camp is the process of making courses. It’s a very interesting to be a teacher for others. Besides, team work always makes things earlier to proceed and get diversified thoughts on how to do it. Personally, being a teacher in front of so many students in different ages made me overcome the fear in facing a camera, become more confident.

PAN Yixiu, age 19, major in Traditional Chinese Medicine:

After being a volunteer for the summer camp, I understand that when kids made mistakes, the last thing to do is to blame them, but let them know why this is not the right thing to do. Taking a trans-positional consideration always helps in communications. As a teacher, we should encourage, praise them, other than criticize or disappoint them. Only by doing so, they create a new world with more confidence.

LIU Hanzhong, age 19, major in rehabilitation:

This volunteering experience really made me feel that kid’s world is so clean, honest and simple. A fine educational system should concentrate on personality-building, then knowledge-teaching.

About the School of Open

The School of Open is a global community of volunteers focused on providing free education opportunities on the meaning, application, and impact of “openness” in the digital age and its benefit to creative endeavors, education, and research. Volunteers develop and run online courses, offline workshops, and real world training programs on topics such as Creative Commons licenses, open educational resources, and sharing creative works. The School of Open is coordinated by Creative Commons and P2PU, a peer learning community for developing and running free online courses.

CC Salon in San Francisco: Public Domain FTW!

Creativecommons.org -


Source photo: Philipp Henzler, CC0

RSVP on Eventbrite
RSVP on Facebook

September 9, 2014
6:30 – 8:30 PM Pacific time
General Assembly, 501 Folsom St (1st and Folsom)
San Francisco, CA 94105
Public Transportation: Close to Embarcadero BART, Montgomery BART, or San Francisco Caltrain

Creative Commons, Electronic Frontier Foundation, and General Assembly are excited to announce an salon on Tuesday, September 9. This informal event will be a celebration of the public domain, with discussion on the cool things people are doing with it, why it’s under attack, and what we can do to fight for it. Before and after the discussion, we’ll have computers set up around the space with games from the Public Domain Jam. Public domain for the win!

Speakers

Parker Higgins
EFF activist

Anne Wootton
Pop Up Archive CEO

Ryan Merkley
Creative Commons CEO

Nicky Case
videogame developer About General Assembly

At General Assembly, we are creating a global community of individuals empowered to pursue work they love, by offering full-time immersive programs, long-form courses, and classes and workshops on the most relevant skills of the 21st century — from web development and user experience design, to business fundamentals, to data science, to product management and digital marketing.

Wiki Loves Monuments: bringing open to Pakistan

Creativecommons.org -


Faisal Maseet / Khalid Mahmood / CC BY-SA

Wiki Loves Monuments is one of the most successful free culture events worldwide. A global photo competition organized by local Wikimedia chapters and groups, it has been running since 2010 and has grown larger each year. For 2014, we speak to Saqib Qayyum from Wikimedia Pakistan about how the event will help promote the commons to new communities.

Tell us about Wikimedia in Pakistan, and Pakistan’s open community.

Wikipedia is the 7th most most visited website in Pakistan and is known by the vast majority of the more than 30 million Internet users in the country. Despite having financial and social challenges, Pakistani people are embracing the Internet and the growth rate of internet users is on the rise.

Surprisingly, however, the English language edition of Wikipedia has only a thousand or so registered volunteer editors from Pakistan. When you compare it with the overall number of internet users in the country, this figure is miniscule. The most disappointing fact is that out of those thousand or so registered editors, less than 100 – mostly students – actively contribute to the world’s largest free encyclopedia. The people of Pakistan are not contributing as much to Wikipedia as they should.

The national language Urdu is also underrepresented on the internet and is experiencing an online stagnation. The Urdu edition of Wikipedia has more active editors from India than from Pakistan. There’s a strong need to encourage people to get involved with Wikipedia and push them to collaborate and exchange useful digital materials freely online.

With regards to the open source community in Pakistan, the situation is analogous to that on Wikipedia. Outside of a core group of members of Mozilla Pakistan and Linux Pakistan, the majority of internet users are not familiar with the free culture and open movements. This, in all likelihood, is due to a lack of widespread awareness of the movements.

Even as Pakistan is experiencing a widespread internet penetration amongst the public, unfortunately the country has not yet adapted well to the ideas of free culture and open. Copyright protection in Pakistan is a critical issue and copyright infringement and online piracy has always been a concern. With Wikimedia Pakistan, we can help to raise awareness of the advantages and benefits of having open and free platforms, and the major role this could play in developing our market and economy.

We all need to play our part in ensuring a bright future for the open and free internet. I think the success of the movement globally depends on participation of people from not only the developed countries but also from the Global South.

How did you get involved with the open source and Creative Commons movements?

When I wonder why people are not very interested in open educational resources such as Wikipedia or other movements that promote free and open content, I imagine one factor might be due to the low literacy rate in Pakistan, or the deficiency in human rights educational initiatives in the country.

Many people who know me over the internet assume I am a university student or a professional in the information technology sector, but the fact is I’m actually a college dropout and work part-time in my family-owned manufacturing company and deal with overseas clients. Therefore, I am able to be connected to the internet for most of the time, and am able to keep active on Wikimedia projects as a result. So my devotion to the free culture and open movements isn’t a professional pursuit, but one I indulge in because it is fun.

Many people, and even my family, ask why I’m involved in the Wikimedia movement, as it doesn’t play a role in building my career and is not connected to my line of work. In short, they think I am wasting my time. I disagree. I believe in the free exchange of ideas and knowledge in this ever changing world and vehemently advocate for the principles of collaboration, openness, transparency and consensus which lay the groundwork for innovation and growth.

Since discovering Wikipedia and Creative Commons as a teenager, I have made it a point to actively promote the concept of free knowledge and open content as I believe the free culture movement can bring broad and positive social change in Pakistan.

Right now, I’m involved with the free web-based travel guide project, Wikivoyage, and am planning to publish a travel guide book for Karachi, my hometown, drawing upon materials I and others have contributed to the Creative Commons licensed Wikivoyage project. There is the possibility this could be the first Creative Commons-licensed book in Pakistan.

Lahore Fort / M. Umair / CC BY

What is the history of Wiki Loves Monuments?

Wiki Loves Monuments is an international photographic competition held worldwide each year during the month of September, and organised by the volunteer Wikimedia community members. The first Wiki Loves Monuments competition was held in 2010 in the Netherlands as a pilot project. In 2011, it spread to around 18 countries in Europe and more than 170,000 photographs of cultural heritage sites were uploaded to Wikimedia Commons. According to the Guinness Book of Records, the 2011 edition of Wiki Loves Monuments broke the world record for being the largest photography competition in the world. In 2012, the competition was organised on much bigger scale and extended beyond Europe, with a total of 35 participating countries and more than 363,000 photographs were contributed by more than 15,000 participants from around the globe. Last year, the Wiki Loves Monuments competition was held across six continents including Antarctica and had official participation from more than fifty countries.

What do you hope to achieve with the Wiki Loves Monuments Pakistan competition?

Wiki Loves Monuments is one of the most successful initiatives of the Wikimedia movement. Over the past three years, more than 15,000 people, who have never contributed to Wikimedia projects, participated in Wiki Loves Monuments for the first time.

With Wiki Loves Monuments Pakistan, I’m trying to encourage people in Pakistan to contribute to Wikipedia and motivate them to use Creative Commons licensing. It takes a lot of time and energy to edit an article on Wikipedia, but it’s pretty simple, fun and easy to take a photograph and upload it.

I believe once people participate in Wiki Loves Monuments Pakistan they will eventually start to contribute to Wikipedia, which is amongst the most successful products of the open and free internet. Thus, they will eventually come to learn about the concept of a free culture movement. Wiki Loves Monuments Pakistan, in my opinion is the best, quickest and easiest way to introduce the free culture movement to the country. I think Wiki Loves Monuments Pakistan will bring a change in mindset of Pakistani people as to how they see the Internet. It will also spread awareness of free licensing and copyright amongst the people and will hopefully encourage a change in the mindset that knowledge should be freely accessible to anyone that we all should play our part to make this possible.

Why is Creative Commons licensing important to the competition?

Creative Commons is central to the competition in the same sense that it is important to the world’s largest encyclopedia Wikipedia, the most-used search engine on the web Google, and the largest and popular photograph database Flickr. I don’t think there’s really a good reason why one shouldn’t use Creative Commons licenses. Creative Commons licenses were specifically designed for creative works and photography is a creativity, an art. It gives freedom for sharing information and knowledge and aims to encourage creative sharing. Many professional photographers in Pakistan might feel uncomfortable about releasing their photographs under a free license but it’s worthwhile to release at least part of your work under a Creative Commons license. Even a small part would work and be more than enough.

The Creative Commons license provides an easy and flexible way to share, and enable reuse of, photographs which enables maximum public exposure, at no cost, for both the photographer and their work. Creative Commons licensing also gives the photographer control on how they want to distribute their works whilst still receiving credit for the work.

How do people get involved?

Participating in Wiki Loves Monuments Pakistan is really straightforward. Lists of eligible sites to be photographed have been made available online on Wikipedia. All you need to do is register an account on the Wikimedia Commons media repository, choose the sites from the list to photograph, take photographs of your chosen sites and upload the photographs to Wikimedia Commons. That’s it!

By getting involved in the competition you are helping to document Pakistan’s rich cultural heritage for current and future generations, and helping to contribute towards the expansion of free knowledge for all. Additionally, by participating in the Wiki Loves Monuments Pakistan competition, you may be eligible to win a fantastic cash prize and even become part of a growing community that believes in making knowledge freely available to all.

The Wiki Loves Monuments Pakistan website gives detailed instructions on how one can participate. I’m very excited to welcome everyone to participate in the first edition of the Pakistani competition; whether you’re a professional or amateur photographer or someone who has never engaged in photography before.

Wiki Love Monuments Pakistan launches on 1 September. To find out about Wiki Loves Monuments in your country, check out the 2014 website.

A new course on Open Research at the School of Open

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The following is a guest post by Beck Pitt, researcher at the Open University’s OER Research Hub. We are collaborating with Beck and her team to investigate attitudes towards sharing educational resources online and the impact of School of Open courses.

Are you curious about what it means to research openly and what benefits it could have? Interested in how you can be open and ethical when conducting research? Wondering how openness could help raise the profile of your research? Thinking about the benefits of sharing reflections on your research?

The award-winning, Hewlett Foundation-funded OER Research Hub based at The Open University (UK) is pleased to announce its very own School of Open course in collaboration with the Peer 2 Peer University and Creative Commons. It opens for sign-up today at https://p2pu.org/en/courses/2377/open-research/.

Over six months in the making and peer-reviewed by the community, this new School of Open course offers the opportunity to explore the concept and practices of open research with participants from around the world. The course has been designed for any researcher who has an interest in utilizing open techniques and practices in their own research.

Join researchers Bea de los Arcos, Rob Farrow, Beck Pitt, and project manager Natalie Eggleston for this four-week course that explores what open research is and the issues involved around it, including: ethics, dissemination, reflection, and evaluation. The course starts Monday, 15 September 2014 and features its very own “Open Research” badge for course completion and participation.

Sign up for the course here

To sign up, simply click the “Start Course” button on the lower left of the course page once you have signed into or registered for a p2pu.org account. Sign-up will remain open through Friday, 12 September.

About the OER Research Hub

The OER Research Hub is an international open research project examining the impact of open educational resources (OER) on learning and teaching practices. It works collaboratively with initiatives, projects and organisations around the world, disseminating its research and curating evidence for the impact of OER on its Impact Map.

About the School of Open

The School of Open is a global community of volunteers focused on providing free education opportunities on the meaning, application, and impact of “openness” in the digital age and its benefit to creative endeavors, education, and research. Volunteers develop and run online courses, offline workshops, and real world training programs on topics such as Creative Commons licenses, open educational resources, and sharing creative works. The School of Open is coordinated by Creative Commons and P2PU, a peer learning community for developing and running free online courses.

Announcing the Institute for Open Leadership Fellows

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Creative Commons and the Open Policy Network are pleased to announce the first round of fellows for the Institute for Open Leadership. The Institute is a training program to develop new leaders in education, science, public policy, and other fields on the values and implementation of openness in licensing, policies, and practices. We received over 90 applications from around the world and representing a broad diversity of fields. Here are the fellows for this year.

  • Dairo Alexander Escobar Ardila; Instituto Humboldt – SiB Colombia; Bogotá, Colombia
  • David Ernst; University of Minnesota; St. Paul, Minnesota, USA
  • Eric Phetteplace; California College of the Arts; Oakland, California, USA
  • Fátima Silva São Simão; UPTEC – Science and Technology Park of the University of Porto; Porto, Portugal
  • Georgia Angelaki, National Documentation Center/Hellenic Research Institute; Athens, Greece
  • Jagadish Chandra Aryal; Social Science Baha; Kathmandu, Nepal
  • Jane Gilvin; National Public Radio; Washington, D.C., USA
  • Julian Carver; Land Information New Zealand; Christchurch, New Zealand
  • Klaudia Grabowska; Polish History Museum; Warsaw, Poland
  • Mohamud Ahmed Rage; Ministry of Higher Education & Culture, Somalia; Mogadishu, Somalia
  • Nasir Khan; Management Information Services, Directorate General of Health Services, Bangladesh; Dhaka, Bangladesh
  • Paul UE Blackman; Barbados Community College; St. Michael, Barbados
  • Vincent Kizza; Open Learning Exchange Uganda; Kampala, Uganda
  • Werner Westermann Juarez; Instituto Profesional Providencia, Santiago, Chile

The in-person portion of the Institute will take place in San Francisco, California in January 2015. The fellows will be develop, refine, and work to implement a capstone open policy project. The point of this project is for the fellow to transform the concepts learned at the Institute into a practical, actionable, and sustainable initiative within her/his institution.

Congratulations to the fellows, and thank you to all the applicants.

Examining deficiencies of and limitations on data sharing

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Whether patients, or part of traffic, or exercising or simply walking with one of the behavioral trackers du jour, we are constantly giving data about ourselves and our surroundings to data collecters with few returns. From privacy regulations to bureaucratic barriers to collecting and locking up information just in case it might create monetary value in the future, there are a multitude of barriers between those who collect information and those who want to use it.

With support from Robert Wood Johnson Foundation (RWJF), we are launching two projects exploring different aspects that often get in the way of easy sharing of citizen-sourced information.

Sharing v. Privacy

Original image by Puneet Kishor released under a CC0 Public Domain Dedication

In collaboration with the Institute for Human Genetics and EngageUC at UCSF, and Personal Genome Project at Harvard University, we will explore the practical, ethical and legal implications of emphasizing benefits of sharing over the need for privacy at a workshop planned for Spring 2015 in Washington DC. A few of the questions to be tackled at the workshop: What if, instead of emphasizing the imperative of protecting privacy, we emphasized the potential benefits from sharing? Would most patients agree to let their information be shared? more →

Sensored City

Original image by Puneet Kishor released under a CC0 Public Domain Dedication

Partnering with Manylabs, a San Francisco-based sensor tools and education nonprofit, and Urban Matter, Inc., a Brooklyn-based design studio, and in collaboration with the City of Louisville, Kentucky, and Propeller Health, maker of a mobile platform for respiratory health management, we will design, develop and install a network of sensor-based hardware that will collect environmental information at high temporal and spatial scales and store it in a software platform designed explicitly for storing and retrieving such data.

Further, we will design, create and install a public data art installation that will be powered by the data we collect thereby communicating back to the public what has been collected about them. more →

Silent Lights Image © Urban Matter, Inc., used with permission.

Please follow our progress on Sharing v. Privacy and the Sensored City projects, and get in touch with us if you want to learn more.

Fotopedia closes, but CC-licensed photos live on

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Trung Dangy / CC BY-NC-SA

If you’re a fan of photo-and-knowledge-sharing community Fotopedia, you’ve likely heard that the site is closing this Sunday, August 10. When Creative Commons heard the news, we contacted Fotopedia to ask if there were some way that we could help save all of the Creative Commons–licensed photos on the site. Now, we’re working together with the staff at Fotopedia to create a new archive of all of that content. At the same time, our friends at Archive Team are creating a copy of the entire Fotopedia website.

Here at CC, we’ve been big fans of Fotopedia for a long time. The site elegantly mixes together content from Flickr, Wikipedia, and other sources in a way that’s only possible thanks to CC licenses. And over the years, Fotopedia developed an amazing community of people curating all of that content into highly entertaining, visually rich albums.

It’s fitting that all of that work will live on in the new archive. Fotopedia has always been a great example of the power of the decentralized web. Just like Fotopedia brought new life to great photos from Flickr, the archive will bring new life to great photos from Fotopedia.

If you’d like to know when the archive is open, subscribe to our mailing list.. If you have any questions, email us at info@creativecommons.org.

Creative Commons salutes Fotopedia for its work as a leader in online content-sharing. We wish Jean-Marie Hullot and his team all the best on their future projects.

Dozens of organizations tell STM publishers: No new licenses

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The keys to an elegant set of open licenses are simplicity and interoperability. CC licenses are widely recognized as the standard in the open access publishing community, but a major trade association recently published a new set of licenses and is urging its members to adopt it. We believe that the new licenses could introduce unnecessary complexity and friction, ultimately hurting the open access community far more than they’d help.

Today, Creative Commons and 57 organizations from around the world released a joint letter asking the International Association of Scientific, Technical & Medical Publishers to withdraw its model “open access” licenses. The association ostensibly created the licenses to promote the sharing of research in the scientific, technical, and medical communities. But these licenses are confusing, redundant, and incompatible with open access content published under other public licenses. Instead of developing another set of licenses, the signatories urge the STM Association to recommend to its authors existing solutions that will truly promote STM’s stated mission to “ensure that the benefits of scholarly research are reliably and broadly available.” From the letter:

We share a positive vision of enabling the flow of knowledge for the good of all. A vision that encompasses a world in which downstream communicators and curators can use research content in new ways, including creating translations, visualizations, and adaptations for diverse audiences. There is much work to do but the Creative Commons licenses already provide legal tools that are easy to understand, fit for the digital age, machine readable and consistently applied across content platforms.

So, what’s really wrong with the STM licenses? First, and most fundamentally, it is difficult to determine what each license and supplementary license is intended to do and how STM expects them each to be used. The Twelve Points to Make Open Access Licensing Work document attempts to explain its goals, but it is not at all clear how the various legal tools work to meet those objectives.

Second, none of the STM licenses comply with the Open Definition, as they all restrict commercial uses and derivatives to a significant extent. And they ignore the long-running benchmark for Open Access publishing: CC BY. CC BY is used by a majority of Open Access publishers, and is recommended as the optimal license for the publication, distribution, and reuse of scholarly work by the Budapest Open Access Initiative.

Third, the license terms and conditions introduce confusion and uncertainty into the world of open access publishing, a community in which the terminology and concepts utilized in CC’s standardized licenses are fairly well accepted and understood.

Fourth, the STM licenses claim to grant permission to do many things that re-users do not need permission to do, such as describing or linking to the licensed work. In addition, it’s questionable for STM to assume that text and data mining can be regulated by their licenses. Under the Creative Commons 4.0 licenses, a licensor grants the public permission to exercise rights under copyright, neighboring rights, and similar rights closely related to copyright (such as sui generis database rights). And the CC license only applies when at least one of these rights held by the licensor applies to the use made by the licensee. This is important because in some countries, text and data mining are activities covered by an exception or limitation to copyright (such as fair use in the United States), so no permission is needed. Most recently the United Kingdom enacted legislation specifically excepting noncommercial text and data mining from the reach of copyright.

Finally, STM’s “supplementary” licenses, which are intended for use with existing licenses, would only work with CC’s most restrictive license, Attribution-NonCommercial-NoDerivatives (BY-NC-ND). Even then they would have very limited legal effect, since much of what they claim to cover is already permitted by all CC licenses. As a practical matter, these license terms are likely to be very confusing to re-users when used in conjunction with a CC license.

The Creative Commons licenses are the demonstrated global standard for open access publishing. They’re used reliably by open access publishers around the world for sharing hundreds of thousands of research articles. Scholarly publishing presents a massive potential to increase our understanding of science. And creativity always builds on the past, whether it be a musician incorporating samples into a new composition or a cancer researcher re-using data from past experiments in their current work.

But to fully realize innovations in science, technology, and medicine, we need clear, universal legal terms so that a researcher can incorporate information from a variety of sources easily and effectively. The research community can enable these flows of information and promote discoveries by sharing writings, data, and analyses in the public commons. We’ve already built the legal tools to support content sharing. Let’s use them and not reinvent the wheel.

Questions should be directed to press@creativecommons.org.

Creative Commons announces launch of CC Belarus

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Creative Commons leaflet / Sviatlana Yermakovich / CC BY-SA

Creative Commons is happy to announce the launch of CC Belarus. Youth organization Falanster is now the belarusian Creative Commons affiliate team!

On August 29, the official launch of CC Belarus will take place in Minsk. For now, CC Belarus will focus on the following topics:

  • researching the applicability of Creative Commons licenses in Belarusian legislation
  • connect with foreign teams to exchange experiences
  • organizing open discussions on adding Creative Commons licenses to Belarusian law
  • create a platform to discuss the reform of Belarusian Copyright Law
  • inform the Belarusian public about Creative Commons

Falanster began using Creative Commons licenses on its own sites (falanster.by, pirates.by, drupal-sliot.by), has been hosting meetings to endorse the open source principles, organised the Minsk Open Data Day in 2014, and has hosted several summer courses with lectures and panel discussions about copyright law and necessary reforms. Since 2013, Falanster has been holding Wiki-Days periodically, encouraging participants to add articles and photos to Wikipedia (Belarusian, Russian, English). The team has also been spreading information about Creative Commons through leaflets.

More about the CC Belarus team and contact information

School of Open Africa to launch in September

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(SOO logo here. Earth icon licensed CC BY by Erin Standley from the Noun Project.)

After months of discussions, deliberations, and planning between CC staff, African Regional Coordinators, African Affiliate teams, and others in the open space, Creative Commons Africa is set to storm Africa by having a continent-wide launch for School of Open in September.

School of Open is a global community of volunteers providing free online courses, face-to-face workshops, and innovative training programs on the meaning, application, and impact of “openness” in the digital age. Through School of Open, you can learn how to add a Creative Commons license to your work, find free resources for classroom use, open up your research, remix a music video, and more!

School of Open programs will be launched in Kenya, Tanzania, Nigeria, and South Africa in September on a series of topics ranging from Creative Commons licensing, intellectual property protection, open society concepts, and the Linux operating system .

Strategic collaborations are underway with the Mozilla Foundation, Nigerian Institute of Advanced Legal Studies, WikiAfrica, University of Lagos, University of Tanzania, and the Institute of Educational Management Technology of the Open University of Tanzania to make the launch a success.

School of Open Kenya  

School of Open Kenya already started out as a trail blazer by organizing a two-week after school program that introduces high school students to open culture through the use of online School of Open courses and related open educational resources (OER). The training was designed to satisfy the academic needs of the students and to enable the students to use open tools such as Creative Commons licenses to create and share knowledge, as well as learning required subjects in new and creative ways. The students integrated the School of Open training into their school work and were able to produce projects such as this Titration Demo video by the Lenana School under CC BY. Despite its long strides, Jamlab and CC Kenya are not resting their oars; they will be launching a Train the Trainers program this September where they will train 10+ community members to organize and run SOO workshops in more high schools and in neighboring countries. SOO Kenya will also host a SOO Africa launch event and Maker Party entitled PopJam. Jamlab + CC Kenya, in collaboration with Mozilla Kenya and Wikipedia Kenya, will host the event for 5 high schools in the region. Stay tuned for details!

School of Open South Africa  

CC South Africa hosts three projects under the School of Open initiative. The first is the #OpenAfrica project where in conjunction with WikiAfrica, open advocates from Cote d’Ivoire, Ethiopia, Malawi, Uganda and Ghana were put through an “open” bootcamp. The month-long camp covered Creative Commons, Wikipedia, Open Street Maps, Open Educational Resources (OER), Open Data, Open Government, and related fundraising and community building skills. Advocates returned equipped with “open” knowledge and skills to their home countries to influence and spur their communities into action. This has resulted in the creation of new CC affiliate teams in Ethiopia and Cote d’Ivoire and the launch of open mandated tech hubs in these communities.

Launching off #OpenAfrica, participants were invited to compete for the first Kumusha Bus stop. The Kumusha Bus is an African adaption of the South American Libre Bus. Ethiopia ‘won’ the first Kumusha Bus stop. The team spent four days inspiring, teaching and sharing at GIZ Headquarters in Addis Ababa. Participants from Sheger Media, AIESEC and Addis Ababa University were in attendance. The four days resulted in the launch of Project Luwi. Luwi is an open source project, aiming to increase the application of open source information and communication technologies (ICT). Luwi intends to create a local community of interested volunteers that is able to foster motivation and creativity around Open Educational Resources (OERs) and supports a culture of sharing information freely in Ethiopia.

The third project is the Creative Commons for Kids program (CC4Kids). CC4Kids was built with Obami, a South Africa-based social learning platform. The course is self-taught and takes about 45 minutes to complete. CC South Africa was invited to teach its first course as part of a Maker Party at the Code for Cape Town project (Code4CT) with 24 grade 10 and 11 girls from the Centre for Science and Technology (COSAT) in Cape Town, South Africa. For three weeks the girls were trained on how the web works and actively participated in building web content. Instead of policing students’ actions, CC4Kids teaches youth how to open and share their creative and educational works legally through the use of CC licenses. All the girls now have simple web pages they created. CC4Kids’ next Maker Party will be held at RLabs in August. Stay tuned!

School of Open Tanzania  

CC Tanzania is planning to host three sets of trainings. The first will be an ICT empowerment training for unemployed youth, the second will focus on teaching persons with disabilities how to use computers, and the third will focus on training educators on using ICT to improve how they teach their students. Participants will become new School of Open volunteers, improving and running future training programs as a way to give back to and grow their community. Development will be led by CC Tanzania volunteers with expertise in law, journalism, and information technology. CC Tanzania will host a joint SOO Africa launch event + Mozilla Maker Party, date and location TBD.

School of Open Nigeria  

CC Nigeria will, in five weekends, train participants on Nigerian copyright law, intellectual property protection, and the Linux operating system. The training will have two tracks: the first track being copyright law and the second being the Linux operating System. Participants will have the opportunity to choose either or both tracks. CC Nigeria also plans to host a joint SOO Africa launch event + Mozilla Maker Party during the training. During the event, experienced web users will train participants on easy ways to creating content using Mozilla tools.

SOO Nigeria links:

After the continent-wide launch, participants who attended the courses will have together obtained and built knowledge of open culture, IP protection and ICT skills.

Stay tuned to this blog or sign up for School of Open Announcements to be notified when each program launches in September! Learn more about how you can get involved with the School of Open at http://schoolofopen.org.

About Maker Party

School of Open and Creative Commons is excited to be partnering with Mozilla to celebrate teaching and learning the web with Maker Party. Through thousands of community-run events around the world, Maker Party unites educators, organizations and enthusiastic Internet users of all ages and skill levels.

We share Mozilla’s belief that the web is a global public resource that’s integral to modern life: it shapes how we learn, how we connect and how we communicate. But many of us don’t understand its basic mechanics or what it means to be a citizen of the web. That’s why we’re supporting this global effort to teach web literacy through hands-on learning and making with Maker Party.

About the School of Open

The School of Open is a global community of volunteers focused on providing free education opportunities on the meaning, application, and impact of “openness” in the digital age and its benefit to creative endeavors, education, and research. Volunteers develop and run online courses, offline workshops, and real world training programs on topics such as Creative Commons licenses, open educational resources, and sharing creative works. The School of Open is coordinated by Creative Commons and P2PU, a peer learning community for developing and running free online courses.

Rijksmuseum case study: Sharing free, high quality images without restrictions makes good things happen

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Girl in white kimono, George Hendrik Breitner, 1894; CC0

Yesterday Europeana published a great case study documenting the experiences of the Dutch Rijksmuseum in opening up access to their collection of digital public domain images. The case study was written by Joris Pekel, community coordinator for cultural heritage at the Europeana Foundation. Over the last few years, Europeana has worked with the Rijksmuseum in order to make available at the highest quality possible images of public domain artworks held by the museum.

The report discusses the Rijksmuseum’s initial apprehension to sharing these high quality images of public domain works. The museum originally planned to share the digital reproductions of public domain works under an open license, such as the Creative Commons Attribution license (CC BY). But after some convincing by organizations that advocate for unrestricted access to the public domain, the Rijksmuseum began to open its collections more by choosing to use the CC0 Public Domain Dedication for the digital reproductions.

The Rijksmuseum began to experiment with how it would offer high quality reproductions of the public domain artworks. The museum adopted a mission-driven approach, and staff understood the opportunity to showcase the best of the museum’s collection as a promotional tool. The marketing department argued that “…The core goal of the museum is to get the collection out and known to the public as much as possible…[and] the digital reproduction of an item would pique public interest in it, leading them to buy tickets to the museum to see the real deal.” The Rijksmuseum also realized that by releasing high quality digital reproductions of works out of copyright, it could help educate the public by providing true-color images and accurate metadata about the works.

Instead of worrying that making available high quality digital reproductions of public domain artwork for free would destroy a piece of the museum’s revenue stream, the Rijksmuseum initially adopted a hybrid approach. They made images available in two sizes: .jpg images at approximately 4500×4500 pixels were free, while the huge 200MB master .tiff files were made available for €40. The museum saw a steady increase in revenue from image sales, but eventually decided to discontinue the tiered offerings. Since October 2013 the Rijksmuseum has been releasing their highest quality images for free.

The Rijksmuseum has found a way to support broad access to its rich collection of cultural heritage resources. And it’s done so in such as way that promotes interest by new audiences, recuperates costs, and upholds the principles of supporting unrestricted access to the digital public domain.

Take a look at the full case study.

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